I WILL MOST PROBABLY BE IN THE CATACOMBS OF MARGARET 
JACKS HALL ON THURSDAY AFTERNOON.  I WILL LOOK FORWARD TO
SEEING YOU THEN.   I WILL HAVE READY THE FINAL PRINTINGS OF
MADS 18, 20, 21, 22, AND 23 AT THAT TIME.  I'M MAKING GOOD
PROGRESS ON BK.3.
	I HAVE FOUND SOME RATHER STRANGE THINGS IN NOS. 305 
AND 307.  IN 305, BAR 21, THERE SEEMS TO BE AN F# IN THE BASS
AGAINST F NATURAL IN THE ALTO.  I SUPPOSE THIS IS POSSIBLE BUT
IT'S CERTAINLY RARE.  IN BARS 27-28 THE CANTO LINE DOESN'T SEEM 
TO FIT.  IT READS, C# E D E  E A Bb A.  PERHAPS IT SHOULD
READ C# E E E  D A Bb A.
307 HAS SEVERAL PROBLEMS.  I THINK THERE SHOULD BE A FICTA
NATURAL OVER THE 2ND NOTE (B) IN BAR 7, TENOR.  I PREFER AN
F NATURAL IN THE QUINTO IN BAR 7.  
THE  C#  IN  THE TENOR, BAR 6, SEEMS ODD TO ME.  C NATURAL MAKES IT A
SIMPLE F MAJOR CHORD.
PERHAPS THE QUINTO SHOULD HAVE AN E FLAT AS THE 1ST NOTE OF 
BAR 29.  (THEN E NATURAL LATER.)  
THE ENTIRE BASS PART STARTING IN BAR 32 SEEMS TO BE DISPLACED FORWARD
BY 2 BEATS.  THINGS  MOSTLY WORK OUT IF THE BASS ENTRANCE  ON  E FLAT
OCCURS  ON THE FOURTH BEAT OF BAR 31.  THIS DISPLACEMENT GOES ALL THE
WAY TO THE END.
ALSO THERE MIGHT BE A FICTA NATURAL OVER THE BIN BAR 37, QUINTO.
            SEE YOU SOON.